Christmas is coming, in case you hadn’t noticed. To alert us to this, over the last few weeks Christmas lights have been switched on all over London, filling the streets with gaudy displays. Except on Regent Street that is, which this year, thanks to a collaboration between Nokia and Wieden + Kennedy ad agency, has taken a surprisingly elegant approach.

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El árbol está diseñado por Duyos, un estudio de diseño de moda, al que desde hace años el Ayuntamiento de Madrid encarga el diseño de algunas decoraciones navideñas. Este año han hecho el Pacman Tree (porque según pensaron la “Navidad es un comecocos”), y las luces de Navidad de la Calle Velázquez, con palabras, corazones, estrellas y smileys.

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Hace unas semanas tuve la oportunidad de platicar con Robert Brecevic en Casa Lamm de la Ciudad de México, donde presentó la pieza Transformaciónes, la cual se trata de un interesante ejercicio visual que me dejó sorprendido por su calidad y calides en relación a la percepción cultural que existe entorno a la cultura de las tantas comunidades indígenas establecidas al sur de nuestro país (México).

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A few weeks ago I have the opportunity to talk with Robert Brecevic in Casa Lamm Mexico City where he presented Transformaciónes, which is an interesting visual exercise that I was surprised by its quality and warmth in relation to the cultural preception  that exist around the culture of many indigenous comunities established at the south or our country (Mexico).

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When I first came to Canada, I remember driving on the highway passing a mountain full of lights. It looked to me like a surreal landscape, almost like an installation or a land-art project. Later I found out that this mountain was illuminated by 500 000 watts of lights and was used for night skiing. I was stunned.

Thomas Kneubühler

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The Johansson Projects gallery over in Oakland is hosting an exhibition of photographs by Barry Underwood, called Earth Engines; the show also includes a series of sound installations by artist Oliver diCicco.

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