P2P diciembre 12, 2009Posted by christian saucedo in Other projects.
Tags: Other projects
“The message of the electric light is like the message of electric power in industry, totally radical, pervasive, and decentralized.”
Marshall McLuhan, Understanding Media
P2P highlights the ubiquity of the most basic symbols of the electric age: the household switch and bulb. Significantly situated in a public forum, P2P puts the marquee, a now-ubiquitous and iconic tool of corporate communication, into the hands of the general public. By engaging in the everyday unconscious activity of flipping a light switch, citizens are able to communicate directly, without the oversight of a centralized authority.
125 switches, 125 corresponding bulbs. The public are in control and can flip a switch and instantly see the response, creating any patterns they choose in the hanging marquee. Some enjoy seeing their names in lights, others post expressions of emotion or affiliation. Solo interaction blends with group dynamics as messages are created and changed. Ultimately, P2P encourages dialogue about the use of technology as a communication medium and appropriate limits on public speech.
P2P was created by Matt Gorbet, Rob Gorbet and Susan Gorbet.
The original P2P proposal called for indoor installation, with a distance of only 25 metres (75′) between the switch panel and the marquee. The technical design for this indoor installation was relatively simple, if repetitive: each switch would be wired in series with the corresponding light bulb, switching the 120 volt supply directly.
The curatorial committee of CAFKA.02, for which the piece was created, preferred to showcase the piece in Civic Square, in front of City Hall. This outdoor installation meant that P2P had to be completely redesigned, while maintaining the functional simplicity which makes the piece so compelling. The outdoor installation imposed two main constraints:
- Artistically, it was important that the piece use common household light switches. These switches are not waterproof, and the outdoor installation meant that performance may degrade if the switches rusted over the course of the exhibit. In addition, it was out of the question to have these switches switching 120 volts outdoors, out of concern for the safety of participants who may use the piece in the rain.
- The other main constraint was the distance between the switch panel and the marquee: 150 metres (450′) of cable would be required to make one run from the switch panel to the marquee. This meant nearly 20 kilometers (12mi) of cable, in order to direct-wire switches to bulbs. Aside from the cost, it was simply impractical; another way had to be found.
The solution to the safety concerns was to confine high voltages to the marquee and the relay box, which the public did not have direct access to. This left the possibility that some switches might need to be replaced if it rained too much. We did have to shake out a couple of switches after a particularly long, hard day of rain.
In order to reduce the amount of cabling between the switch panel and the relay box, a 128-bit serial latch was designed from eight 16-bit latches (Fairchild 74F676). The switch outputs are all latched in parallel, and that data is shifted serially along a CAT5 cable to a decoder circuit in the relay box, 500 feet away. The decoder circuit is essentially the opposite: a 128-bit serial-input parallel-output register was constructed from sixteen 8-bit latching relay driver chips (Allegro Micro UCN5841/5842). Each of the outputs drives a relay on a modified RIB101 relay interface board (BSoft Software, Inc), which turns the corresponding lamp on or off.
A single microcontroller (MicroChip PIC16F84A) provides the timing, clocking the serial data line at 50kHz, meaning the whole display is refreshed roughly 400 times per second. RS422 drivers (Maxim MAX3043/3095) were used to transmit data and clock differentially along the CAT5 cable. Two unused wires in the CAT5 were used to bring power back from the relay box to the switch panel electronics, meaning the only thing leaving the switch panel is the CAT5 cable.
Suprisingly few people asked how it actually worked. Part of our goal was to make the interface design easily-understood and accessible to all. The workings are actually quite complicated, but it was done in such a way that people were not surprised at being able to control 125 bulbs from so far away. Or maybe they just didn’t think about it. Either way, the interface design was a success, from our point of view, but we were still surprised that more people didn’t ask how it worked.
The final P2P design is made up of four components: the Marquee, the Relay Circuits (which switch the power to the bulbs), the Switch Panel, and the Switch Panel Electronics (which reads the switch values and transmits to the Relay Circuits).
Several aspects of the installation are site-specific. Please see the images above for details of the local installation requirements described below. Images will open in a seperate window.
- A frame at least 2×8 metres (6’x24′)
This is constructed locally mainly because it is relatively easy to build and very hard to transport. Once constructed, the frame is covered in black Textilene, a wind-permeable fabric, and airline cable is strung to which the bulbs will be affixed.
- A support structure for the frame
The complexity of this requirement depends on what can be used locally: it can be hung on the solid wall of a building, or on pillars or other supports as it was in these images. The bulbs are installed after the frame has been hung.
- A frame at least 2×8 metres (6’x24′)
- Relay Circuits
- 60A @ 110VAC (ideally in 6 sockets)
The relays are divided into five 25-relay control boards. Each relay operates one 50W light bulb. In addition to the bulb power, each relay control board requires ~1.5A @ 5VDC, and the decoder electronics which drives the relays requires approximately another 1A. The relays are rated up to 250VAC, but unfortunately the special bulbs we use in the piece are only rated to 130V.
- A housing of some kind
The type of housing required will depend if the relay circuits will be located outside or inside. This is site-specific and hard to transport, so needs to be sourced locally.
- 60A @ 110VAC (ideally in 6 sockets)
- Switch Panel
The switch panel is housed in a structure which is ~1 metre (36″) high and has a footprint of approximately 70×310 centimetres (27″x10′).
- CAT5, 8-conductor cable
A length of 8-conductor CAT5 cable sufficiently long to connect the switch panel to the relay circuits. Since we are not communicating at Ethernet data rates, repeaters are not required beyond the regular limit of 100 metres (300′). Previous installations have been successful with 500′ of cable without a repeater.Switch Panel Electronics
- no local needs
Power for the electronics arrives from the relay circuit box via two of the CAT5 wires.
- no local needs
Other Technical Information
Aside from installation requirements, the following technical information may be of interest.
- The switch panel uses low voltage (5VDC) only, and this power comes down the CAT5 cable from the relay box. Thus, potentially dangerous higher voltages are confined to the marquee and relay box, which can be safely located out of reach of the public.
- We use special silicon-coated rough-service bulbs, which are designed especially for the low-frequency high-amplitude vibrations they may see from wind. Each bulb is affixed to airline cable using nylon cable ties, meaning it is nearly impossible for them to come into contact with anything which could break them. In the unlikely event that one does break, the silicon coating means they do not shatter; no glass can fall from the marquee.
- P2P was exhibited for ten days in Kitchener, Canada, in September 2002. Over those ten days, it was not vandalized once.
- At that exhibit, the bulbs were subject to relatively high winds, up under the canopy of City Hall, but none broke. We did have to replace three bulbs which burned out early, likely due to manufacturing defects.
- In Kitchener, it rained hard for one whole day. Other than having to shake the water out of a couple of the switches, the piece remained fully functional.
About the Artists
The team behind P2P (Matt Gorbet, Rob Gorbet and Susan Gorbet) is an experience design collective dedicated to enriching the lives of citizens through the creative application of interactive technology in public spaces. Collectively, they hold several patents and have ongoing or past research affiliations with the University of Waterloo, MIT, Stanford, Interval Research, Xerox PARC, and Silicon Graphics. Their work has been shown in the USA, Sweden, Austria, and Japan.
Matt Gorbet is an interdisciplinary technologist, researcher and artist who specializes in physically interactive technology experiences.
Before founding Gorbet Design, Inc., Matt was a researcher at PARC, the Xerox Palo Alto Research Center, where his team designed and studied new document genres enabled by emerging technologies. Matt earned a Bachelor of Science in Architecture from MIT and a Master of Science from the MIT Media Lab. He has several patents on novel interaction technologies.
Matt is on the faculty of the Canadian Film Centre’s Interactive Art and Entertainment program, where he teaches physical computing and non-traditional interaction techniques.
Rob Gorbet is a professor of electrical engineering at the University of Waterloo, where he teaches courses in Robotics, Control Systems, and Computer Interfacing. His pioneering research explores the use of “muscle wires” to generate motion.
Rob’s artistic interests lie in the merging of technology with traditional crafts, and in the use of interaction to explore the societal impacts of technology. He recently co-created and taught an inaugural course in Technology Art at the University of Waterloo. This unique course brings together artists and engineers to collaborate in exploring the fusion of technology and art.
He enjoys collaborating with other artists interested in enhancing their works with technology, and served on the Curatorial and Organizing Committee of the Contemporary Art Forum, Kitchener and Area (CAFKA) ’04.
Susan LK Gorbet is a creative technology designer, researcher and artist. She has been turning cutting-edge technology and research prototypes into compelling experiences and products for the last fourteen years. She is a co-founder of Gorbet Design, Inc.
With degrees in computer science and psychology, Susan focuses on designing technology-mediated experiences that people can understand and enjoy. She is particularly interested in the use of materials that compel an audience to interact.
After winning a fellowship for graduate research at Stanford in the early 90’s, Susan spent many years in Silicon Valley, where she led research teams at Silicon Graphics, and was the Director of User Experience Design for Excite@Home and Snapfish.
Susan is currently on the faculty of the Canadian Film Centre’s Interactive Art and Entertainment program, where she teaches experience design for emerging media, and the Ontario College of Art and Design, where she teaches Principles of Interaction Design.